Juneberry78s Blog

Bob Flesher Custom Banjos - Model "Mad Moon"

2011-03-04T23:47:00.000-08:00

Up to date list of Juneberry78s visitors.

2011-01-24T06:43:00.000-08:00

Over the last several years descendants of the following artists have visited the Juneberry78s.com website. In some cases we have provided original 78s from the era for a family treasure. In almost every case we have provided digital copies of the 1920s music that no one in the family had heard for many years.

Albertville Quartet
Ashley's Melody Men
Big Chief Henry's Indian String Band
Binkley Brothers Dixie Clodhoppers
Brammer Brothers (early bluegrass band)
Buffalo Ragged Five
Bush Brothers Quartet
Crowder Brothers
Deal Family
Grady Family
Happy Hayseeds
Haywire Mac's Orchestra
Bill Lamey (Cape Breton fiddler)
Fiddling Bob Larkan
Fiddling Sam Long
Emmett Lundy
Earl McCoy, Alfred Meng & Clem Garner
Moatsville String Ticklers
North Canton Quartet
Red Patterson's Piedmont Log Rollers
Payne Family Quartet
Holland Puckett
Edd Rice
Jilson Setters (J.W. Day)
Luther Strong
Taylor-Griggs Louisiana Melody Makers
Tobbaco Tags
Walburn & Hethcox
Ira & Eugene Yates
Young Brothers
Jess Young

We were also contacted by the descendant by marriage of Gervis Bloodworth from the sensational Jones and Bloodworth Murder Case. Avoline Bloodworth wrote an excellent true crime book about the case- Murder At The County Line. Both Carl Conner and Vernon Dalhart made a record about the case.

It has been an honor and pleasure to be of service to these families.

Fiddlin' Bob Larkan

2010-09-11T06:39:00.000-07:00

Fiddlin' Bob Larkan (1870-1942) recorded in early 1928 for the Okeh Label and then again in late 1928 for Vocalion.

The Okehs incorrectly spelled his name Larkin.

Clyde Snider contacted Juneberry78s.

I have all of Fiddlin' Bob Larkan's recordings except "Paddy Won't You Drink Some Good Old Cider". Larkin was my great-great-grandfather and I would like to have that recording. Can you help?

We were able to do so.
Clyde was able to provide the following information and all pictures.
Click on any of the items above or below for a better view

Yes, Fiddlin' Bob was born in New York City.

Both his parents were born in Ireland.

Bob and his wife, Harriet, had 13 children, two of whom played on his recordings, Forrest "Bob" Larkan and Alice Sherbs.

I would guess the photo was made during the late 1930s.

Bob Larkan was called Fiddlin' Bob and also Uncle Bob Larkan sometimes.

Fiddling Sam Long

2010-06-26T00:06:00.000-07:00

We take great delight when contacted by descendants of Artists of the Past. Even more so when it's an artist of the stature of Fiddling Sam Long - always a favorite of mine. If only he was able to record more and with the Electric Process a year or so after .... oh well we are thankful for the few wonderful recordings he did make. Sam Long was the great uncle of Hugh Long who provided the above newspaper clippings and the following narrative.

Attached are the newspaper articles re Fiddling Sam Long. I know at least one of the articles was published in the Joplin Globe in 1926. The other could have been from the paper out of Commerce, Oklahoma.

Sam's niece had worked many years to complete a genealogy on the Long family, but she passed away in 1986. She had 3 daughters who I have contacted regarding the genealogy, but all deny they have it, so I (we) are in the process of obtaining the info on our own and hopefully get it recorded with Ancestory.

Sam died in 1935 at the home of his Uncle Ransom Long in Butler County, KS of lung problems as a result of working in the lead mines in Joplin, MO.

Hugh Long
Newton, KS

NOTE: Click on the above images or any image in our blog to see more detail.

Listen to Fiddling Sam Long and Ray Kastner playing Echoes of the Ozarks from a 1926 recording.

Banjo Review

2010-04-04T19:46:00.000-07:00

First we have a Black Walnut Fretless made by R. K. Smith. These "Frank Proffitt" style banjos are offered on eBay and the seller is banjothunder. This banjo has a nice plunky sound for Old Time tunes. The workmanship is excellent. Strings are nylGut.

Next is a Chuck Lee Badger 6 String Banjo. This banjo-guitar or Guit-Jo is also constructed of Walnut with a 12 inch rim and integral tone ring. The peghead inlay of a Wizard with Staff is beautiful, there is backstrapping and the heel type is Dobson. Sounds great when finger picking ragtime guitar tunes. Chuck is truly an fine artist. Steel strings.

Finally we have a Prust Banjos Boucher 19th Century Replica Tensioning (Special Order). This Minstrel Banjo with highly figured maple has a 12 inch rim with oval holes for the brackets. It's nice to not have to flatten the bridge when you finish playing which is the case for tack-head banjos. The flush frets are helpful with intonation. NylGut strings. Great sounding banjo for Minstrel Tunes.

Michael Hauver Barbecue Bob 12 String Guitar for sale on Ebay

2010-03-10T12:41:00.000-08:00

I said goodbye to my Michael Hauver Barbecue Bob 12 String Guitar which sold on eBay Wednesday March 24, 2010 at 22:30:13 EDT. The buyer communicated that the guitar was even more than he expected. I am pleased that it has found a happy home.

I have owned and enjoyed playing this guitar since 2006. This guitar sounds so good just doing some of the simple Lead Belly runs like the start of Leaving Blues. I later changed the 3rd string pairs to play in unison but the guitar in the auction has them back in octaves after the new setup. I have also experimented setting it as a 10 string, a 9 string and a 6 string. Barbecue Bob himself probably used his Stella as a 9 or 10 string - this seems the only way he could do those wonderful snaps on the bass strings. I prefer to finger pick without picks and the 9 string setup is great for that. I read Skip James used a Stella 12 string strung as a 6 stringer for his 1931 Paramount session.

With the 26 1/2 scale I tune it to B E A D F# B
To play with others use the C F G7 shaped chords to play in the actual key of G
Use A D E7 shaped chords to play in the actual key of E
Also D G A7 to play key for the actual key of A.
And G C D7 to play key actual key of D.
Use a capo on the first fret and use E A B7 to play actual key of C

I have read on other blog postings that modern "Stella" guitars like those made by Mike Hauver sound "new" and don't have the old vibe of a real Stella. Of course on a real Stella from that period the wood will have aged quite a bit. However, I would guess nearly all of the Stellas on the 78s from the 1920s & early 1930s were fairly new at the time of the recordings so those would have to also sound new.

Finally, the Stellas from that period were cheap factory made instruments and the modern Stella "Clones" like this guitar are made with great care and expertize and not sold for Cheap Prices when new. Mike Hauver does the repairs, neck resets etc for Neil Harpe's Stella Guitars and he probably knows as much as anyone about the construction of original Stellas.

Here's the link to the auction on eBay

Here's a link to the Michael Hauver Blues Guitars website

Here's a link to Neil Harpe's Stella Guitars

More on the 12 string guitar.

I has captivated by Lead Belly and bought my first 12 string in 1966 or 1967. It was a Contessa Acoustic (Japanese) costing $99 from the local music store. I'm sure it was constructed with laminated woods but it sounded mighty good to my ears at the time. I bought the Leadbelly 12 String book by Pete Seeger & Julius Lester for $2.95 and was soon walking the basses and learing many great songs like They Hung Him On A Cross and Down In New Orleans. I also learned to play Mississippi John Hurt's Casey Jones (his only 12 string performance that I know of. First Issued on a Piedmont LP). Blind Willie McTell was beyond my grasp at the time (not that I could play like he does today). Later I began learning to play harmonica, banjo, dulcimer and fiddle. I'm not sure what happened to the Contessa - probably traded it in on another instrument like a cheap Japanese Blue Grass banjo I used for learning clawhammer banjo at Lundberg's in Berkeley.

Forwarding to the 1990s the next 12 String Guitar I bought was a Sigma modeled after the Martin D-28 Herringbone that was never available as a 12 String. The Sigma 12 was a decent sounding & playing 12 string guitar. Then a few years later I purchased a Rickenbacker 330 Electric Guitar. This was actually a birthday present from my wife Amy. One interesting thing about the Rickenbacker is that the string courses with octaves have the low note first and then the higher note. The 330 was hard to play as the neck is too narrow - the same width as their 6 string. They actually use the same neck for both models. It is interesting the way their 12 sring tuners are designed and installed. I bought the Roger McGuinn 12 string video and he revealed how he plays his Rickenbacker using 1 finger to cover two courses (or 4 strings). I still could not make a clean C chord (with 1st & 3rd Strings open and 2nd strings at the first fret). I sold that guitar on eBay at a slight profit 10 years later.

I bought the Hauver in 2006 and an electric Danelectro 12 String around 2007 or 2008. I sold the Sigma on eBay for about 60% of what I paid for it 12 years later - imports don't usually hold their value. The Dano 12 string is an inexpensive clone of a guitar that never existed. The neck is wider making it easier to play and the one I have has the string pairs like the Rickenbacker. The Dano 6 string and bass guitars available now are copies of the early cheapies that people like Jimi Hendrix and John Fogerty learned to play with as kids. Jimmy Page of Led Zepplin still uses a cheap vintage Dano for some recordings. Duane Eddy has a picture of a Dano Longhorn Bass on the jacket of one of his LPs.

In addition to the Roger McGuinn video there is a video by Ernie Hawkins covering some McTell items and the late Harry Lewman has a Lead Belly video. Harry Lewman also put out a fine Lead Belly Book with words and tabs to many Lead Belly songs. I believe No Stranger To the Blues is the book title.

I never really got the hang of playing electric guitars but I'll posts some photos of my collection of Electric Cheapies in the future.

More Banjos

2010-03-06T03:32:00.000-08:00

In early February I still had enough Christmas money to buy another banjo or two.

I surfed the web to Jeff Menzies' website. I noticed a Dipper Gourd Banjo and inquired about purchasing it. Jeff asked if I intended to actually play the instrument and offered me Gourd Banjos #35 #193 or #196 (the email include JPegs). I was so intrigued by the unusual look and the peg head of #196 that I bought it. See photo above.

When it arrived I was amazed at the beauty of the instrument. It is obvious that Jeff was trained as an artist. This banjo has an unbelievable sense of balance, both physically and artistically. The neck is claro walnut with an apple wood fingerboard. Finally I tuned in up to low minstrel standard tuning (dGDF#A) and began playing it. The narrow finger board was not a problem as I rarely play above the 5th fret position. The action at the nut was perfect. The pot is smaller but deeper than my Banjo Factory gourd banjo.

I've seen people on youTube playing Gourd Banjos (while sitting down) with the instrument between their legs - that does not work for me. I place the gourd on my right leg and anchor it down with my elbow at the spike extending through the instrument. The sound of this banjo is excellent - plenty loud with full deep tones.

This Gourd Banjo is a bit more expensive than the one from the Banjo Factory. I will say that both are excellent instruments - you pay more for the artistic beauty of Jeff's banjos.

Here is the link to the Jeff Menzies website.

Several weeks back I first saw Brian Carver's youTube channel. Brian is a college student who makes banjos, some similar in appearance to those that Frank Proffitt made and played. Brian created his own pattern that only uses two pieces of wood. Over the last year he has offered some nice ones made from Cherry and Walnut.

He also introduced a Budget Line - Pine Mountain Banjos for $130 with free shipping. These instruments are made of pine and with walnut hardware (the nut, bridge, pegs and tailpiece) and have a 24 inch scale. They have been sanded but have no finish or stain and the instrument can only support light nylon strings.

Brian still had one Pine Mountain Banjo available and he sold it to me (and I stayed within my Christmas money budget). The banjo arrived, I tuned it up to standard open A and began playing. The sound is not very loud but OK if you wish to play and sing by yourself. No worry about awakening my wife in the bedroom.

Since I've been such a big fan of Frank Proffitt for the last 40 years I am pleased to now own a similar instrument. I have a feeling by this summer that I may wish to get a Walnut or Cherry banjo from Brian. I'll probably sell this banjo on eBay then.

Check out Brian's youTube Channel.

Listen to Baby-O by Frank Proffitt.

Listen to Johnson Boys by Frank Proffitt.

Banjos

2010-02-12T18:31:00.000-08:00

Due to my peripheral neuropathy playing steel string instruments is often uncomfortable. More recently I've been focusing on playing Ukuleles and a Flesher Tack Head Minstrel Banjo all of which have nylon or nylgut strings.

On December 26th of 2009 I spent some of my Christmas money by ordering a Gourd Banjo available from The Banjo Factory Website.

Quoting John Salicco "my objective is not to produce absolutely historically accurate facsimiles. I'm trying to produce a sturdy playable fretless banjo that has the right general 19th Century look and feel, but at a price that almost anyone can afford".

After a short three week wait the banjo arrived. I found it well constructed and was pleased with its appearance. It came with a nice cloth carrying case. I found the action at the nut a bit too high for me, but this was an easy fix. For Minstrel Style Banjo playing I like a wider spacing of strings so I also replaced the bridge. This banjo was quite a bargain costing only $260. I chose the Stichter peg head option as can be seen in the picture above.

In a short time I was playing some Minstrel Banjo Tunes and really enjoyed the deep sounds of the low tuning (2 1/2 steps lower than clawhammer). I'm working on getting used to the smaller (9 1/2 inch) pot size. I also need to be able to adjust to the additional depth of the gourd and better control how to hold the banjo.

Here's the link to The Banjo Factory.

Minstrel Banjo playing does not have an oral tradition and was no longer popular by the time records were being made. Today's players play tunes learned from various Banjo Books published in the mid 1800s. Fortunately the tunes are available today in tablature. Bob Flesher has some on his Dr Horsehair website.

I will say the tab arrangements are quite good. Bob has some excellent CDs & a DVD video with a full band of this music also available through the Dr Horsehair site. Rounder Records released the Minstrel Banjo Style CD in 1994 with some of the top Minstrel Banjo players at that time.

If you are a 5 string clawhammer player I'm sure you will enjoy learning Minstrel Banjo. You can start by using your steel string fretted instrument but you will enjoy it even more with a fretless nylgut or gut string instrument in the lower tunings such as those offered by the Banjo Factory. Bob Flesher also makes Old Time Minstrel and Clawhammer Banjos. You can also get a Gourd or Minstrel Banjo and play the tunes you already know. You will be sure to enjoy the lower pitched versions of your favorites.

Here are links to Dr. Horsehair's Music Company.
and to Bob Flesher Custom Banjos.

The Banjo Clubhouse hosted by Tim Twiss is an excellent resource for learning about Minstrel Banjo playing. Tim and other players provides both audio and video examples from various books of the period. A number of different banjos and are heard in the audio examples and seen in the videos. Note: instead of the front page of a book there is one icon of a banjo (which happens to be a Gourd Banjo). All of the audio examples found through that link are played on a Gourd Banjo.

Here's the link to The Banjo Clubhouse.

The steel string standard tuning for playing in the key of C: gCGBD
Minstrel Standard Tuning for playing in the key of G: dGDF#A

The steel string open G tuning for playing in the key of G: gDGBD
Minstrel High Bass Tuning for playing in the key of D: dADF#A

Tom 'Norm' Morrison

New MP3 Compilation Releases

2010-01-18T21:08:00.000-08:00

We are happy to announce two new Junberry78s compilations.

Juneberry 105 contains recordings by such performers as the Cartwright Brothers, Parker and Woolbright, Uncle Am Stuart, Jimmie Johnson, John Hammond, Domino George and other wonderful artists.

Juneberry 106 contains recordings by John Baltzell, Watts and Wilson, Samantha Bumgarner, Eva Davis and many others. We include the entire Gid Tanner and his Skillet-Lickers Columbia catalog. It is interesting to hear how they changed from a group playing old minstrel songs to the wonderful fiddle duets when Lowe Stokes (un-credited) joined them. Riley Puckett's singing is outstanding through all of their records.

As we dig deeper into the archives we come across more acoustic recordings, as well as records that are more worn and have more background noise than we would like. The acoustic recordings have a poorer sound quality than the electric recordings than began later in 1926. However, there is still a great deal of wonderful music to listen to and learn from. We have more issues planned.

Juneberry MP3 Compilations

..

J.W. Day

2009-12-21T01:38:00.000-08:00

Norm,

My Great Grandfather is James William Day (aka) J.W. Day, Jilson Setters from Ashland Ky.

He recorded 10 songs on 5, 78 records for Victor in 1928.

I have three of the records and am looking for the other two.

I need :
1) The Wild Wagoner / Marthis Campbell
2) Way up on Clinch Mountain / The Arkansas Traveller

My sister and I have found about 60 pictures of him in a collection on the web. We found a book written about him called "The singin' Fiddler of Lost Hope Hollow" by Jean Thomas, plus three other books written by her that include him, a poster of J.W. called "The Fiddler" and recordings he made for The Library of Congress in 1934 and 1937. The records I have now have been matted and framed with details and a picture. They turned out very nice. We have been able to locate his marriage cert. to my Great Grandmother from 1886 and his death cert. from 1942 We intend to donate all these items to the museum in Ashland KY when we pass away. They already have a very nice display about him and Jean Thomas and these items will fit nicely.

Here is the link to the pictures.

http://digital.library.louisville.edu/cdm4/results.php?CISOOP1=any&CISOBOX1=jilson+setters&CISOFIELD1=CISOSEARCHALL&CISOROOT=all&CISOSTART=1,1

It is to The University of Louisville.

The pictures are in the Jean Thomas Collection.

Jean Thomas "discovered" J.W. and was his manager from the late 1920s until his death in 1942.

Many people don't know that his stage name, Jilson Setters, comes from his father Jilson Day and his mother Elizabeth Setters.

One of the records I need is on ebay. I think I will bid on it and see what happens.

Thanks again.

Jim Carpenter

Norm

Got the CD's yesterday. They were more than I had hoped for. Thank you so much. The sound was much better than I thought it would be. There were 3 songs from the LOC that I did not have. Thanks to you, I now have all ten of the songs he recorded for Victor on CD.

I also have 4 out of 5 Victor 78s he recorded. I was able to win the one on eBay last Sun. So, our collection is coming along well.

You talked about seeing the Albert Hall while in London. J.W. had quite a trip over there. He wrote the song Fiddler of Lost Hope Hollow while on the ship going over. He told my Mom that he was the only one in his party that did not get sea sick on the ship.

Congrats on your 25th wedding anniversary.

Thanks again,

Jim

Moatsville String Ticklers

2009-12-19T14:59:00.000-08:00

-
Hi, Tom

Yes, I have a photo of the Moatsville String Ticklers.

The members of the group are:
Standing: Zel Frye, Doyle Shaffer, Brooks Ritter (my uncle), and Floyd Frye
Seated: Marshall Summers, Harold Ritter (my uncle), Cecil Frye, and Gordon Frye.

Both of my uncles learned carpentry and loved working with wood. Uncle Brooks created spinning wheels, among other items.

Uncle Harold worked construction. He was involved in a horrific accident, around the time of WWII, and crushed his arms and chest. Doctors didn't think he'd ever be able to use his arms again. After he recuperated, Uncle Harold began to make violins, violas, cellos, and guitars. All were/are excellently crafted.

Thanks for your interest!

Kathy McBee of Canton Ohio

New Home Page and previous visitors

2009-12-19T08:15:00.000-08:00

I've simplified the Juneberry78s home page so it is far less 'cluttered'. I'm keeping the old home page for a while and will update it to allow for the new guest book and this blog.

Over the last several years descendants of the following artists have visited the Juneberry78s.com website. In some cases we have provided original 78s from the era for a family treasure. In almost every case we have provided digital copies of the 1920s music that no one in the family had heard for many years. Some photos were forwarded to us that I will post shortly.

Albertville Quartet
Ashley's Melody Men
Big Chief Henry's Indian String Band
Binkley Brothers Dixie Clodhoppers
Brammer Brothers (early bluegrass band)
Buffalo Ragged Five
Deal Family
Grady Family
Happy Hayseeds
Haywire Mac's Orchestra
Bill Lamey (Cape Breton fiddler)
Fiddling Bob Larkan
Fiddling Sam Long
Emmett Lundy
Earl McCoy, Alfred Meng & Clem Garner
Moatsville String Ticklers
North Canton Quartet
Red Patterson's Piedmont Log Rollers
Payne Family Quartet
Holland Puckett
Edd Rice
Jilson Setters (J.W. Day)
Taylor-Griggs Louisiana Melody Makers
Tobbaco Tags
Walburn & Hethcox
Ira & Eugene Yates
Young Brothers
Jess Young

We were also contacted by the descendant by marriage of Gervis Bloodworth from the sensational Jones and Bloodworth Murder Case. Avoline Bloodworth wrote an excellent true crime book about the case- Murder At The County Line. Both Carl Conner and Vernon Dalhart made a record about the case.

It has been an honor and pleasure to be of service to these families.

Introduction and recent activity

2009-12-17T10:59:00.000-08:00

This my blog for the Juneberry78s website. Let me introduce myself. I am Tom 'Norm' Morrison. I love Roots Music from the 1920s and 30s and wish to help provide access to these treasures. I started collecting roots music in 1964 when I was still in high school. Leadbelly, Mississippi John Hurt, Woody Guthrie and Jimmie Rodgers were early favorites. I also watched Pete Seeger's Rainbow Quest every week on KQED. Living in the San Francisco Bay Area provided the necessary access. I loved taking the bus from my parent's home in Alameda to Telegraph Avenue in Berkeley. At the time there were several very good independent record stores there. Also there was Moe's Book Store that also let you trade, buy and sell used records. The main branch of the Oakland Public Library had literally many thousands of LPs of all types. This included lots of the good stuff on labels such as Folkways, Folk Legacy, RBF, OJL, Milestone, Biograph and other independent labels. I used a Reel to Reel Tape deck to capture the many new and exciting sounds. If I liked the album enough I'd buy it (often at Moe's). Collecting 78s was still several years away.

Getting to the present I've begun working on an album of early Riley Puckett and Gid Tanner tracks not on previous Juneberry albums. Riley is one of my favorite old time singers. I also enjoy Gid's rustic playing and singing. This material comes from my friend Brett who lives up in Chico California.

I've also been listening to some great interviews from the 1960s of Old Time Artists who recorded in the 1920s. These were provided by Kilby from North Carolina. One has my buddy Robert Nobley interviewing Tom Darby. Tom also played and sang some of the songs that he and Jimmie Tarlton recorded many years prior. The Red Steeley (of Red Headed Fiddlers fame) interview was great because he also played fiddle and was still in fine form. Other interviews included Bill Helms, Clayton McMichen, Charles and Ira Stripling.